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Diptych, oil on canvas, each painting measures 95×110 cm.

It’s a powerful and dark concept, intertwining classic biblical myth with dieselpunk aesthetics and the existential dread of the industrial age.

Philosophical Justification

​In the traditional plot, God punishes Adam by forcing him to “eat bread in the sweat of his brow.” In this interpretation, “labor” is taken to its extreme. Paradise is not a garden, but a state of freedom from machinery. Exile is a fall into a world where man becomes merely an appendage of a vast machine.

​Here, the “Fall” is the transition from organic life to mechanical routine. God here appears not as a loving father, but as the Supreme Architect or Stern Overseer, who has replaced the staff with a chronometer.